19th century gold, enamel and gem set Renaissance revival pendant with eagle bird by Castellani, Rome c.1860/1870, together with an associated contemporary baton chain necklace,
the pendant of openwork panel design enamelled in white, dark blue, green and red, featuring a white enamelled stylised eagle plucking at a red tulip, stood upon a semi-circular plinth set with with a line of sugarloaf cabochon rubies, white enamel scrolls below supporting dark blue swag like elements around a central pearl, hung with an emerald polished bead between two slim elongated pearls and flanked by two facetted purplish-reddish-pink gem beads, possibly spinel, all hung from twin pearl set chains flanking an emerald below a white enamel fleur-de-lys studded with a ruby collet, mounted in gold tested as 22ct, engraved feather, foliage and decorative detail to the reverse, Castellani monogram, the associated chain of square section baton links upon a looped 'W' scroll clasp Length of pendant 7.5cm / 3''
Width 3.4cm / 1 3/8''
Chain 60.5cm / 23�'' Weight: 57.6g gross
Early 20th century ruby and diamond line bracelet by Boucheron, Paris c.1915, alternating trios of French cut diamonds and rectangular cut Burma rubies,
Victorian cabochon emerald and 18ct gold ring, London (date mark is either 1878 or 1898), the oval 6.49ct Colombian emerald open collet set to a simple tapering gold mount, D shaped shank, accompanied by AGL report no. 1118060 giving the Colombian origin opinion and that the stone shows minor clarity treatment of a traditional type (oiling)
Art Deco two-tone citrine scroll cluster double-clip brooches forming a bangle by Cartier, Paris, each scroll in the form of stylised boteh, also known as paisley shape,
19th century gold, enamel and gem set Renaissance revival pendant with eagle bird by Castellani, Rome c.1860/1870, together with an associated contemporary baton chain necklace,